Landscape Retrospective: From Film to Digital and Infrared Imaging | The Photography of Jim Gale

Artist Statement – Jim Gale

My love of photography began when I was about 12 years old, learning to develop and print B&W in a school art class. For years I used my grandma’s old range-finder camera and by the time I was in high school, I had built a small darkroom in the basement. Throughout college, I worked as a free-lance photographer to help pay the bills, along with being the college paper photography editor for 3 years (the Stylus at SUNY Brockport). As editor, we had complimentary tickets to all music shows on campus, which became my first experience with photographing live music shows. At the end of college, I was at a crossroads. I was considering local jobs in photojournalism. However, many professional photographers I had met advised me that it would be tough to make a living, especially if you valued things like health insurance or retirement savings. In the end, I decided I loved photography too much to try and make a living with it. This allowed me freedom to pursue only projects I cared about, on my own terms and those ‘projects’ boiled down to nature and music. My parents were both music lovers (Dad played classical piano, even with a damaged finger from the Korean war) and Mom found a used copy of “The Complete Backpacker” (Collin Fletcher), which soon motivated my first 4-day solo backpacking adventure at 14 years old. One summer, while in college, I had saved enough money (barely) to hike the entire 2000 mile Appalachian Trail, and since then, my passion for backpacking has evolved into a passion for documenting my adventures so that I could preserve and capture the details and the beauty I saw through my lens. It still amazes me how much a single image from 40 years ago can bring back vivid memories I thought I had forgotten.

After college, I went to graduate school and earned a PhD in Biochemistry and Biophysics at Washington State University (1987). Since then, I have worked as a Molecular Biologist, and currently design and implement new oncology/genetic tests at Tricore as part of the Assay Development team. Moving out west also offered me the opportunity to learn white water rafting and kayaking.

I really had not gotten back into music photography until I moved to Albuquerque and discovered the Outpost! After my first show at the old Morningside location, I was hooked! Although my taste in music is very eclectic, I was drawn deeper into the beauty, improvisation and creativity of Jazz. Since I could never afford all the shows I wanted to see, I approached Tom about an exchange of my show photographs for free admittance. This arrangement as the volunteer “house photographer” has now lasted over 23 years! At this point, there are few (if any) other clubs or performance spaces that have such a complete and extensive photographic documentation.

I now have been giving the opportunity to show some of my landscape work at the Outpost which features a mix of old film (and infrared film in 4×5 sheet size) and newer digital work. Most of the photographs are from New Mexico and the Southwest. The large B&W images were some of the last I developed and printed in my garage darkroom, and while I have embraced digital, I find there is something unique and beautiful about the analog film/print that is hard to reproduce in digital.

Please note: Since we are still working mostly remotely, we ask that you make an appointment to view the exhibition. Please email us at [email protected] to arrange a time.

Inpost Artspace Reception: Future Makers: Art by students of Albuquerque Charter High Schools

Come celebrate the strength and individuality of these young artists, each selected for their talent and bold creativity. Hailing from Albuquerque Charter Schools including Explore Academy, Amy Biehl High School, and Media Arts Collaborative Charter School, these emerging artists are diverse learners and leaders who demonstrate the intellectual, social, and ethical habits to improve their communities. A range of works expressing personal style and varied media champions the power of personal choice and hands-on experiential learning.

Exhibition Dates: April 1-May 16

Reception: Friday, April 3, 6-8pm

Inpost Artspace Reception: Deep Research: Drawings, Collages, and Paintings by Peter Voshefski

Albuquerque-based artist Peter Voshefski presents his epic studies about the relationship between landscape, ecological systems, and imagination, seeming to illustrate a non-sequential narrative of the mythology of Life and Earth. Installations of mysteriously painted abstract textural substances interact with delicate micro-drawings, while trees, creatures and other entities interconnect within a fanciful network of individual units. FREE!

Exhibition Dates: January 27-March 28

Artist Reception:  Friday, February 7, 6-8pm

First Friday Artscrawl— Inpost Artspace Reception: Cold Sweat— work by Rita Bard, Loc Huynh, and Laura Wacha

Cold Sweat is a three-person exhibition of new work by Rita Bard (Santa Fe, NM), Loc Huynh (Denton, TX), and Laura Wacha (Bernardo, NM). In uncertain times such as these, humor is a tool that can give us relief while simultaneously sharpening one’s critical engagement with a subject. All three artists in this exhibition employ humor to engage with a pastiche of considerable topics: Comics, Pop art, theater, television, interpersonal dynamics, politics, and popular culture are but a few references that come to mind when viewing the work of the these highly energetic and colorful artists. The writer Kimberly Drew states, “anxiety is the opposite of freedom. Anxiety is like wading in fear. We’re all buoyed by what we have and what we’re willing to do to keep it. And there’s a fine line between inner peace and ignorance.” These artists, like us, are dealing with personal and collective anxieties, and through their individualized freedom of expression, they help both artist and viewer grapple with both complex and mundane issues.

Exhibition dates: October 27, 2019-February 1, 2020

First Friday Artscrawl: Inpost Artspace Reception: FLOW RIDING EDGE WHISPRS: WORK BY timothy jason reed

A dynamic selection of abstract drawings and paintings by Santa Fe-based artist timothy jason reed, who describes his work as “…whispers and rhythms…ideas and inspirations, gently inviting you into their dance / swimming with the song of your gaze.” Born in 1976, reed was raised in Tongva land (Southern California) and has been living and working around po’oge (Santa Fe) for approximately ten years. His large paintings present powerful evidence of a self-imposed challenge to connect to a creative “flow state” directly influenced by an intensely productive and enlightening drawing practice. This astonishing work is intuitive, vibrant, and kaleidoscopic, while earnestly uniting with deeper channels of collective consciousness.

Exhibition Dates: August 19- October 26

Artist Reception: First Friday ARTScrawl, Friday, September 6, 5 – 7pm

Exhibition may be viewed during the reception, Outpost performances, box office hours, (M-F 2-5:30pm), and by appointment. Gallery is FREE of charge.

The Outpost